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[phpostock]Bass Equalizer, 10[/phpostock]
Can Bass Fishing Be Done With Scented Attractants?
If you want to quote reports, they say that as much as 80 per cent of the bass fishing in warm waters is done with the help of scented attractants. Correct figures or not, it clearly shows that bass is one of the fish which is most commonly attracted to scents. Trout, snook, and stripper do not get mentioned in connection with scent fishing anywhere. Yes, some sporadic cases you will find it stated that this tactic is used with salmon as well. However, the best results are undoubtedly with the bass fishing.
Myth versus fact
Bass fishing with scent attractants has been thrown up so many times that it has almost become a myth. However it is not actually as effective as you would be led to believe. Indeed it does make a difference to the number of strikes you will get but then so will bettering your angling skills, your style of fishing, your bait type, and the list goes on. In other words, even though it has been proved that it does attract the bass, it is not really the ultimate weapon in the fisherman's arsenal; rather one among the multitude of skills he needs to use for bass fishing.
The controversy of whether it is or it isn't
Many anglers would vouch for the fact that bass fishing is definitely easier and more successful after the scents were added to bait while others refute such statements by saying that it really does not make that much of a difference, though they agree that it is visible that the bass react better to the bait with scent than to the bait which does not have scent. However, this does not in any way imply a magical bass fishing tool for the angler.
Other angles of thought
Let us leave aside for some time the question of whether bass fishing is really responsive to scents. Facts say that bass are put off by tobacco smell, detergent smell, bug (mosquito) repellant smell and even sun-block lotion. Now logically speaking, if the bass did not any power for smell, would this be possible? Then, one can logically deduct that the bass do have olfactory senses and that it can use it for defense. If they can do that, why can't bass use the same sense of smell to track food?
Many fishermen will tell you that the best way for bass fishing is to use motion; however we have an almost equal group of them advocating the use of scent as one of the best ways to catch bass.
About the Author
Fame Ahmed is a well known author worldwide. He has written numerous works on various topics. He is an expert in research and writing reviews and articles based on his findings.
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Additional Bass Equalizer related items.
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Boss GEB-7 Bass Equalizer Pedal $86.13 Boss GEB-7 Bass Equalizer Pedal |
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Boss Geb-7 Bass Equalizer Pedal $99 The Boss GEB-7 Bass Equalizer Pedal is compact in size but features a wide frequency range -- from 50Hz all the way up to 10kHz. It has 7 sliders, 3 of which cover the critical midrange (400Hz, 500Hz, and 800Hz) where the character of the bass sound is determined. Each slider on the Boss GEB-7 equalizer pedal boosts or cuts over a +/-15dB range, allowing for substantial tone-shaping capability. |
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Used Boss Geb-7 Bass Equalizer Pedal $60.72 The Boss GEB-7 Bass Equalizer Pedal is compact in size but features a wide frequency range -- from 50Hz all the way up to 10kHz. It has 7 sliders, 3 of which cover the critical midrange (400Hz, 500Hz, and 800Hz) where the character of the bass sound is determined. Each slider on the Boss GEB-7 equalizer pedal boosts or cuts over a +/-15dB range, allowing for substantial tone-shaping capability. |
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D.W. Fearn VT-4 Equalizer $4400 The VT-4 equalizer from D.W. Fearn will change the way you think of EQ. It's smooth and sweet, and can be very subtle at mild settings, but quite strong with aggressive use of the controls. Creative use of the low boost and cut will create a powerful bass that has to be heard to be believed. The high boost adds just the right brightness to vocals, guitars, any sound, or even an entire mix. Even with extreme settings, the VT-4 will never sound harsh. This single-channel equalizer uses passive LC circuitry with class-A triode vacuum tube stages for the input and output. The tube circuitry is largely derived from the VT-1/VT-2 mic preamp design, so the equalizer has much the same sonic character as the preamps. The LC-style passive equalization circuitry is based on the classic designs that are still the best-sounding way to achieve high-quality tonal control. The input is line-level, transformer balanced-bridging. An active vacuum tube input section has adjustable gain to accommodate input signals as low as -10 dBm. The input transformer is made by Jensen. The output stage utilizes the same custom Jensen transformer used on the VT-1/VT-2 mic preamps. All controls are stepped for precise repeatability and uniform matching between units. High-quality rotary switches are used with 1% metal-film resistors. All of the audio capacitors are polystyrene or polypropylene. The inductors are custom-made by Jensen Transformers Inc. The D.W. Fearn VT-4 equalizer is constructed of heavy-gauge aluminum, with a 3RU (5.25 inch), 1/4-inch thick front panel, finished in D.W. Fearn red. It matches the VT-1/VT-2 series of mic preamps in appearance and construction. Like the VT-1/VT-2 preamps, the VT-4 Equalizer has been designed to provide an exceptional tool for audio professionals. The design frequencies and curves were determined by ear, after extensive listening to a variety of program material, both individual tracks and overall mixes. The result is a highly musical EQ with plenty of range for enhancing any track or mix. Important Note: Due to heat given off by tubes, D.W. Fearn recommends that you provide at least one rack unit (RU) of space above and below their audio rack products. For proper cooling and a refined look for your rack, we highly recommend using D.W. Fearn Vented Rack Panels (#180296). The History of the VT-4 Equalizer Throughout my career in recording, there have always been a few equalizers that stood out as being exceptional. Among my favorites are the 1970s-era Neve input-strip EQs, and the Trident CB9066 parametric. I began my equalizer development project by first building a series of test circuits, using all the various tone-modification techniques. After listening to a wide variety of equalization circuits, it was obvious to me that the passive inductor-capacitor |
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D.W. Fearn Vt-4 Equalizer $4400 The VT-4 equalizer from D.W. Fearn will change the way you think of EQ. It's smooth and sweet, and can be very subtle at mild settings, but quite strong with aggressive use of the controls. Creative use of the low boost and cut will create a powerful bass that has to be heard to be believed. The high boost adds just the right brightness to vocals, guitars, any sound, or even an entire mix. Even with extreme settings, the VT-4 will never sound harsh. This single-channel equalizer uses passive LC circuitry with class-A triode vacuum tube stages for the input and output. The tube circuitry is largely derived from the VT-1/VT-2 mic preamp design, so the equalizer has much the same sonic character as the preamps. The LC-style passive equalization circuitry is based on the classic designs that are still the best-sounding way to achieve high-quality tonal control. The input is line-level, transformer balanced-bridging. An active vacuum tube input section has adjustable gain to accommodate input signals as low as -10 dBm. The input transformer is made by Jensen. The output stage utilizes the same custom Jensen transformer used on the VT-1/VT-2 mic preamps. All controls are stepped for precise repeatability and uniform matching between units. High-quality rotary switches are used with 1% metal-film resistors. All of the audio capacitors are polystyrene or polypropylene. The inductors are custom-made by Jensen Transformers Inc. The D.W. Fearn VT-4 equalizer is constructed of heavy-gauge aluminum, with a 3RU (5.25 inch), 1/4-inch thick front panel, finished in D.W. Fearn red. It matches the VT-1/VT-2 series of mic preamps in appearance and construction. Like the VT-1/VT-2 preamps, the VT-4 Equalizer has been designed to provide an exceptional tool for audio professionals. The design frequencies and curves were determined by ear, after extensive listening to a variety of program material, both individual tracks and overall mixes. The result is a highly musical EQ with plenty of range for enhancing any track or mix. Important Note: Due to heat given off by tubes, D.W. Fearn recommends that you provide at least one rack unit (RU) of space above and below their audio rack products. For proper cooling and a refined look for your rack, we highly recommend using D.W. Fearn Vented Rack Panels (#180296). The History of the VT-4 Equalizer Throughout my career in recording, there have always been a few equalizers that stood out as being exceptional. Among my favorites are the 1970s-era Neve input-strip EQs, and the Trident CB9066 parametric. I began my equalizer development project by first building a series of test circuits, using all the various tone-modification techniques. After listening to a wide variety of equalization circuits, it was obvious to me that the passive inductor-capacitor (LC) circuit was the one that sounded the most musical and natural to me. In thinking about how I use equalization, I realized that having sim |
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D.W. Fearn VT-5 Stereo Equalizer $7500 The VT-5 Stereo Equalizer is a dual-channel version of the acclaimed D.W.Fearn VT-4 LC Equalizer (see #180274). The frequencies, steps, curves, etc. are exactly the same. The VT-5 is a true stereo equalizer, with one set of controls that work on both channels simultaneously. This equalizer will change the way you think of EQ. It's smooth and sweet, and can be very subtle at mild settings, but quite strong with aggressive use of the controls. Creative use of the low boost and cut will create a powerful bass that has to be heard to be believed. The high boost adds just the right brightness to vocals, guitars, any sound, or even an entire mix. Even with extreme settings, the VT-5 will never sound harsh. This single-channel equalizer uses passive LC circuitry with class-A triode vacuum tube stages for the input and output. The tube circuitry is largely derived from the VT-1 (#180271)/VT-2 (#180272) mic preamp design, so the equalizer has much the same sonic character as the preamps. The LC-style passive equalization circuitry is based on the classic designs that are still the best-sounding way to achieve high-quality tonal control. The input is line-level, transformer-balanced bridging. An active vacuum tube input section has adjustable gain to accommodate input signals as low as -10 dBm. The input transformer is made by Jensen. The output stage utilizes the same custom Jensen transformer used on the VT-1/VT-2 mic preamps. All controls on the VT-5 equalizer are stepped for precise repeatability and uniform matching between units. High-quality rotary switches are used with 1% metal-film resistors. All of the audio capacitors are polystyrene or polypropylene. The inductors are also custom-made for Fearn by Jensen Transformers Inc. The equalizer is constructed of heavy-gauge aluminum, with a 3RU (5.25 inch), 1/4-inch thick front panel, finished in D.W. Fearn red. It matches the VT-1/VT-2 series of mic preamps in appearance and construction. Like the VT-1/VT-2 preamps, the VT-4 Equalizer has been designed to provide an exceptional tool for audio professionals. The design frequencies and curves were determined by ear, after extensive listening to a variety of program material, both individual tracks and overall mixes. The result is a highly musical EQ with plenty of range for enhancing any track or mix. Important Note: Having many tubes, the VT-5 generates a considerable amount of heat. We highly recommend using D.W. Fearn Vented Rack Panels (#180296) above and below the unit for proper cooling. The History of the VT-4/VT-5 Equalizer Throughout my career in recording, there have always been a few equalizers that stood out as being exceptional. Among my favorites are the 1970s-era Neve input-strip EQs, and the Trident CB9066 parametric. I began my equalizer developme |
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D.W. Fearn Vt-5 Stereo Equalizer $7500 The VT-5 Stereo Equalizer is a dual-channel version of the acclaimed D.W.Fearn VT-4 LC Equalizer (see #180274). The frequencies, steps, curves, etc. are exactly the same. The VT-5 is a true stereo equalizer, with one set of controls that work on both channels simultaneously. This equalizer will change the way you think of EQ. It's smooth and sweet, and can be very subtle at mild settings, but quite strong with aggressive use of the controls. Creative use of the low boost and cut will create a powerful bass that has to be heard to be believed. The high boost adds just the right brightness to vocals, guitars, any sound, or even an entire mix. Even with extreme settings, the VT-5 will never sound harsh. This single-channel equalizer uses passive LC circuitry with class-A triode vacuum tube stages for the input and output. The tube circuitry is largely derived from the VT-1 (#180271)/VT-2 (#180272) mic preamp design, so the equalizer has much the same sonic character as the preamps. The LC-style passive equalization circuitry is based on the classic designs that are still the best-sounding way to achieve high-quality tonal control. The input is line-level, transformer-balanced bridging. An active vacuum tube input section has adjustable gain to accommodate input signals as low as -10 dBm. The input transformer is made by Jensen. The output stage utilizes the same custom Jensen transformer used on the VT-1/VT-2 mic preamps. All controls on the VT-5 equalizer are stepped for precise repeatability and uniform matching between units. High-quality rotary switches are used with 1% metal-film resistors. All of the audio capacitors are polystyrene or polypropylene. The inductors are also custom-made for Fearn by Jensen Transformers Inc. The equalizer is constructed of heavy-gauge aluminum, with a 3RU (5.25 inch), 1/4-inch thick front panel, finished in D.W. Fearn red. It matches the VT-1/VT-2 series of mic preamps in appearance and construction. Like the VT-1/VT-2 preamps, the VT-4 Equalizer has been designed to provide an exceptional tool for audio professionals. The design frequencies and curves were determined by ear, after extensive listening to a variety of program material, both individual tracks and overall mixes. The result is a highly musical EQ with plenty of range for enhancing any track or mix. Important Note: Having many tubes, the VT-5 generates a considerable amount of heat. We highly recommend using D.W. Fearn Vented Rack Panels (#180296) above and below the unit for proper cooling. The History of the VT-4/VT-5 Equalizer Throughout my career in recording, there have always been a few equalizers that stood out as being exceptional. Among my favorites are the 1970s-era Neve input-strip EQs, and the Trident CB9066 parametric. I began my equalizer development project by first building a series of test circuits, using all the various tone-modification techniques. After listening to a wide variety of equalization ci |








































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